Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 36
... object standing between the Poet and the image of things ; be- tween this , and the Biographer and Historian , there ... objects with which the Anat- omist's knowledge is connected , he feels that his knowledge is pleasure ; and ...
... object standing between the Poet and the image of things ; be- tween this , and the Biographer and Historian , there ... objects with which the Anat- omist's knowledge is connected , he feels that his knowledge is pleasure ; and ...
Стр. 251
... object being proposed . According to the difference of the object will be the difference of the com- bination . It is possible , that the object may be merely to facilitate the recollection of any given facts or observations by ...
... object being proposed . According to the difference of the object will be the difference of the com- bination . It is possible , that the object may be merely to facilitate the recollection of any given facts or observations by ...
Стр. 441
... object , are all right : Because no sentiment represents what is really in the object . It only marks a certain conformity or relation between the object and the organs or faculties of the mind ; and if that conformity did not really ...
... object , are all right : Because no sentiment represents what is really in the object . It only marks a certain conformity or relation between the object and the organs or faculties of the mind ; and if that conformity did not really ...
Содержание
Contents | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 30
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action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write