Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 4
... particular maker of a particular bed , and therefore He created a bed which is essentially and by nature one only . So we believe . Shall we , then , speak of Him as the natural author or maker of the bed ? Yes , he replied ; inasmuch ...
... particular maker of a particular bed , and therefore He created a bed which is essentially and by nature one only . So we believe . Shall we , then , speak of Him as the natural author or maker of the bed ? Yes , he replied ; inasmuch ...
Стр. 40
... particular poems , and to some defects which will probably be found in them . I am sensible that my associations must have sometimes been particular instead of gen- eral , and that , consequently , giving to things a false importance ...
... particular poems , and to some defects which will probably be found in them . I am sensible that my associations must have sometimes been particular instead of gen- eral , and that , consequently , giving to things a false importance ...
Стр. 97
... particular class — the economic dominance and therefore the cultural dominance of that class . For the stability of ... particular ideal or set of values ; but on analysis it always re- solves into the defence of some particular struc ...
... particular class — the economic dominance and therefore the cultural dominance of that class . For the stability of ... particular ideal or set of values ; but on analysis it always re- solves into the defence of some particular struc ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 36
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young