Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 38
... passion , but such as the concurring testimony of ages has shown to heighten and improve the pleasure which co ... passion by an inter - texture of ordinary feeling , and of feeling not strictly and necessarily connected with the passion ...
... passion , but such as the concurring testimony of ages has shown to heighten and improve the pleasure which co ... passion by an inter - texture of ordinary feeling , and of feeling not strictly and necessarily connected with the passion ...
Стр. 42
... passion excited by real events ; they wrote naturally , and as men : feeling power- fully as they did , their language was daring , and figurative . In succeeding times , Poets , and Men ambitious of the fame of Poets , perceiving the ...
... passion excited by real events ; they wrote naturally , and as men : feeling power- fully as they did , their language was daring , and figurative . In succeeding times , Poets , and Men ambitious of the fame of Poets , perceiving the ...
Стр. 228
... passions , that , had he in the fury of their kindness : then indeed to speak sense were an offence . Any sudden gust of passion ( as an ecstasy of love in an unex- pected meeting ) cannot better be expressed than in a word and a sigh ...
... passions , that , had he in the fury of their kindness : then indeed to speak sense were an offence . Any sudden gust of passion ( as an ecstasy of love in an unex- pected meeting ) cannot better be expressed than in a word and a sigh ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 36
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young