Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 68
... perhaps , who , as likely as not , was by this time beginning to go to the bad . All this shot through my mind as I sat down , being uncomfortable , like most people , at trav- elling with fellow passengers unless I have somehow or ...
... perhaps , who , as likely as not , was by this time beginning to go to the bad . All this shot through my mind as I sat down , being uncomfortable , like most people , at trav- elling with fellow passengers unless I have somehow or ...
Стр. 365
... perhaps the phoenix is Lucy , Countess of Bedford ; or perhaps the poem is merely an essay on Platonic love . But the schol- ars themselves are so uncertain , that I think we will do little violence to established habits of thinking ...
... perhaps the phoenix is Lucy , Countess of Bedford ; or perhaps the poem is merely an essay on Platonic love . But the schol- ars themselves are so uncertain , that I think we will do little violence to established habits of thinking ...
Стр. 399
... perhaps other types , as many perhaps as the central terms of criticism ; but most can be learned I believe by examination of metaphor -the structure most characteristic of concen- trated poetry . The language of poets , said Shel- ley ...
... perhaps other types , as many perhaps as the central terms of criticism ; but most can be learned I believe by examination of metaphor -the structure most characteristic of concen- trated poetry . The language of poets , said Shel- ley ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young