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Стр. 205
Again , we may recognise or dis- cover whether a person has done a thing or not . But the recognition which is most intimately connected with the plot and action is , as we have said , the recognition of persons . 4.
Again , we may recognise or dis- cover whether a person has done a thing or not . But the recognition which is most intimately connected with the plot and action is , as we have said , the recognition of persons . 4.
Стр. 231
But I return again to the French writers , who , as I have said , do not burden themselves too much with plot , which has been reproached to them by an ingenious person of our nation as a fault ; for , he says , they commonly make but ...
But I return again to the French writers , who , as I have said , do not burden themselves too much with plot , which has been reproached to them by an ingenious person of our nation as a fault ; for , he says , they commonly make but ...
Стр. 445
none but a person , familiarized to superior beauties , would pronounce their numbers harsh , or narration uninteresting . A great inferiority of beauty gives pain to a person conversant in the highest excellence of the kind , and is ...
none but a person , familiarized to superior beauties , would pronounce their numbers harsh , or narration uninteresting . A great inferiority of beauty gives pain to a person conversant in the highest excellence of the kind , and is ...
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Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young