Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 205
... persons , it may happen that one person only is recognised by the other - when the latter is al- ready known - or it may be necessary that the recognition should be on both sides . Thus Iphigenia is revealed to Orestes by the sending of ...
... persons , it may happen that one person only is recognised by the other - when the latter is al- ready known - or it may be necessary that the recognition should be on both sides . Thus Iphigenia is revealed to Orestes by the sending of ...
Стр. 231
... person of our nation as a fault ; for , he says , they commonly make but one person considerable in a play ; they dwell on him , and his concernments , while the rest of the persons are only subservient to set him off . If he intends ...
... person of our nation as a fault ; for , he says , they commonly make but one person considerable in a play ; they dwell on him , and his concernments , while the rest of the persons are only subservient to set him off . If he intends ...
Стр. 445
... person , familiarized to superior beauties , would pronounce their numbers harsh , or narration uninteresting . A great inferiority of beauty gives pain to a person conversant in the highest excellence of the kind , and is for that ...
... person , familiarized to superior beauties , would pronounce their numbers harsh , or narration uninteresting . A great inferiority of beauty gives pain to a person conversant in the highest excellence of the kind , and is for that ...
Содержание
Contents | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 30
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write