Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 205
... person has done a thing or not . But the recognition which is most intimately connected with the plot and action is , as we have said , the recognition of persons . 4. This recognition , combined with Reversal , will pro- duce either ...
... person has done a thing or not . But the recognition which is most intimately connected with the plot and action is , as we have said , the recognition of persons . 4. This recognition , combined with Reversal , will pro- duce either ...
Стр. 240
... persons of various charac- ters and humours , and all delightful : as first , Morose , or an old man , to whom all noise but his own talking is offensive . Some who would be thought critics , say this humour of his is forced : but to ...
... persons of various charac- ters and humours , and all delightful : as first , Morose , or an old man , to whom all noise but his own talking is offensive . Some who would be thought critics , say this humour of his is forced : but to ...
Стр. 445
... person in- fluenced by prejudice , complies not with this condition ; but obstinately maintains his natural position , without placing himself in that point of view , which the performance supposes . If the work be addressed to persons ...
... person in- fluenced by prejudice , complies not with this condition ; but obstinately maintains his natural position , without placing himself in that point of view , which the performance supposes . If the work be addressed to persons ...
Содержание
Contents | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 30
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Часто встречающиеся слова и выражения
action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write