Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 222
... play , ) were delivered to us from the observa- tions which Aristotle made , of those poets , which either lived before him , or were his contempo- raries : we have added nothing of our own , ex- cept we have the confidence to say our ...
... play , ) were delivered to us from the observa- tions which Aristotle made , of those poets , which either lived before him , or were his contempo- raries : we have added nothing of our own , ex- cept we have the confidence to say our ...
Стр. 234
... play , those which best fulfil that law ought to be esteemed superior to the others . ' Tis true , those beauties of the French poesy are such as will ... play contributing and moving towards it . Our plays , besides 234 CRITICISM : FORM.
... play , those which best fulfil that law ought to be esteemed superior to the others . ' Tis true , those beauties of the French poesy are such as will ... play contributing and moving towards it . Our plays , besides 234 CRITICISM : FORM.
Стр. 267
... play of Kyd reworked by a third hand , perhaps Chapman , before Shakespeare touched the play . And he con- cludes , with very strong show of reason , that the original play of Kyd was , like certain other revenge plays , in two parts of ...
... play of Kyd reworked by a third hand , perhaps Chapman , before Shakespeare touched the play . And he con- cludes , with very strong show of reason , that the original play of Kyd was , like certain other revenge plays , in two parts of ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young