Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 279
... plot , and the plot , instead of finding human beings more or less cut to its requirements , as they are in the drama , finds them enormous , shadowy and intractable , and three - quarters hid- den like an iceberg . In vain it points ...
... plot , and the plot , instead of finding human beings more or less cut to its requirements , as they are in the drama , finds them enormous , shadowy and intractable , and three - quarters hid- den like an iceberg . In vain it points ...
Стр. 282
... plot is estab- lished . But in the novels , though the same superb and terrible machine works , it never catches humanity in its teeth ; there is some vital prob- lem that has not been answered , or even posed , in the misfortunes of ...
... plot is estab- lished . But in the novels , though the same superb and terrible machine works , it never catches humanity in its teeth ; there is some vital prob- lem that has not been answered , or even posed , in the misfortunes of ...
Стр. 283
... plot as we have defined it : a constructive attempt to put something in the place of the plot . I have already mentioned the novel in ques- tion : Les Faux Monnayeurs by André Gide . It contains within its covers both the methods . Gide ...
... plot as we have defined it : a constructive attempt to put something in the place of the plot . I have already mentioned the novel in ques- tion : Les Faux Monnayeurs by André Gide . It contains within its covers both the methods . Gide ...
Содержание
Contents | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 30
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action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write