Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 187
... poet's way of going about his work and his experience of being a poet are different , and when my own poetry may not be good enough to lend my example any authority . Yet the writing of poetry is an activity which makes certain demands ...
... poet's way of going about his work and his experience of being a poet are different , and when my own poetry may not be good enough to lend my example any authority . Yet the writing of poetry is an activity which makes certain demands ...
Стр. 334
... poet , rarely as a writer of prose . The poet must suppress the man , or the man would suppress the poet . What he wanted to say for himself , or for his principles , became eligible for poetry only when it became what the poet , the ...
... poet , rarely as a writer of prose . The poet must suppress the man , or the man would suppress the poet . What he wanted to say for himself , or for his principles , became eligible for poetry only when it became what the poet , the ...
Стр. 339
... poet speaking in his own person to his own love . The studied " con- ceit " of the seventeenth century offered another field of discourse in which poetic exercises took place ; logical and academic , but having rich possibilities , and ...
... poet speaking in his own person to his own love . The studied " con- ceit " of the seventeenth century offered another field of discourse in which poetic exercises took place ; logical and academic , but having rich possibilities , and ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 36
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young