Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 375
... Poetry , first , because it is such an admirable and provocative book , sane , lucid , generous - spirited , and second , because , to my mind , it illustrates the insidious- ness with which a doctrine of pure poetry can penetrate into ...
... Poetry , first , because it is such an admirable and provocative book , sane , lucid , generous - spirited , and second , because , to my mind , it illustrates the insidious- ness with which a doctrine of pure poetry can penetrate into ...
Стр. 489
... Poetry * and finer spirit of knowledge " offered to us by. ment , which he found just then in the clear , fresh ... poetry is immense , because in poetry , where it is worthy of its high destinies , our race , as time goes on , will find ...
... Poetry * and finer spirit of knowledge " offered to us by. ment , which he found just then in the clear , fresh ... poetry is immense , because in poetry , where it is worthy of its high destinies , our race , as time goes on , will find ...
Стр. 494
... poetry , and of all other poetry which is akin to it in quality . Only one thing we may add as to the sub- stance and matter of poetry , guiding ourselves by Aristotle's profound observation that the su- periority of poetry over history ...
... poetry , and of all other poetry which is akin to it in quality . Only one thing we may add as to the sub- stance and matter of poetry , guiding ourselves by Aristotle's profound observation that the su- periority of poetry over history ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young