Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 39
... principle which must be well known to those who have made any of the Arts the object of accurate reflection ; namely , the pleasure which the mind derives from the perception of similitude in dissimilitude . This principle is the great ...
... principle which must be well known to those who have made any of the Arts the object of accurate reflection ; namely , the pleasure which the mind derives from the perception of similitude in dissimilitude . This principle is the great ...
Стр. 95
... Principle * He seiz'd the bars of condens'd thoughts to forge ined. The fate of Henry James has been that of other primary writers within the American tradition . Each of these had stormed some battle- ment without a following sequence ...
... Principle * He seiz'd the bars of condens'd thoughts to forge ined. The fate of Henry James has been that of other primary writers within the American tradition . Each of these had stormed some battle- ment without a following sequence ...
Стр. 477
... Principle * WALTER PATER : Conclusion * Λέγει που Ἡράκλειτος ὅτι πάντα. I N SPEAKING of the Poetic Principle , I have no design to be either thorough or pro- found . While discussing , very much at ran- dom , the essentiality of what we ...
... Principle * WALTER PATER : Conclusion * Λέγει που Ἡράκλειτος ὅτι πάντα. I N SPEAKING of the Poetic Principle , I have no design to be either thorough or pro- found . While discussing , very much at ran- dom , the essentiality of what we ...
Содержание
Contents | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 30
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action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write