Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 32
... produced on any variety of subjects but by a man who , being possessed of more than usual organic sensibility , had also thought long and deeply . For our continued influxes of feeling are modified and directed by our thoughts , which ...
... produced on any variety of subjects but by a man who , being possessed of more than usual organic sensibility , had also thought long and deeply . For our continued influxes of feeling are modified and directed by our thoughts , which ...
Стр. 210
... produce a tragic effect that satisfies the moral sense . 6. This effect is produced when the clever rogue , like Sisyphus , is outwitted , or the brave villain defeated . Such an event is prob- able in Agathon's sense of the word : " it ...
... produce a tragic effect that satisfies the moral sense . 6. This effect is produced when the clever rogue , like Sisyphus , is outwitted , or the brave villain defeated . Such an event is prob- able in Agathon's sense of the word : " it ...
Стр. 471
... produced to my feelings an effect for which I never could account . The effect was that it reflected back upon the ... produce such an effect . Here I pause for one moment to exhort the reader never to pay any attention to his under ...
... produced to my feelings an effect for which I never could account . The effect was that it reflected back upon the ... produce such an effect . Here I pause for one moment to exhort the reader never to pay any attention to his under ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young