Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 136
... question . Among all the elements which go to make a work of art it is , however , only the economic movement which asserts it- self as finally necessary , for what Marx and Engels considered to be true of historical changes they also ...
... question . Among all the elements which go to make a work of art it is , however , only the economic movement which asserts it- self as finally necessary , for what Marx and Engels considered to be true of historical changes they also ...
Стр. 270
... question for philosophical societies to discuss ; but of course if Ulysses were a “ libel " it would simply be a forged document , a powerless fraud , which would never have extracted from Mr. Aldington a moment's attention . I do not ...
... question for philosophical societies to discuss ; but of course if Ulysses were a “ libel " it would simply be a forged document , a powerless fraud , which would never have extracted from Mr. Aldington a moment's attention . I do not ...
Стр. 272
... question is , whom does the drama amuse ? and what is the quality of the amusement ? C : I should not for my part admit that any of these people are concerned to amuse . There is no such thing as mere amusement . They are concerned with ...
... question is , whom does the drama amuse ? and what is the quality of the amusement ? C : I should not for my part admit that any of these people are concerned to amuse . There is no such thing as mere amusement . They are concerned with ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young