Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 385
... reader in an ordinary novel - must be recon- structed from fragments , sometimes hundreds of pages apart , scattered through the book . As a result , the reader is forced to read Ulysses in exactly the same manner as he reads modern ...
... reader in an ordinary novel - must be recon- structed from fragments , sometimes hundreds of pages apart , scattered through the book . As a result , the reader is forced to read Ulysses in exactly the same manner as he reads modern ...
Стр. 387
... reader ; and its form is controlled by the method that the narrator has outlined in its concluding pages . The reader , in other words , was substituted for the narrator , and was placed by the author throughout the book in the same ...
... reader ; and its form is controlled by the method that the narrator has outlined in its concluding pages . The reader , in other words , was substituted for the narrator , and was placed by the author throughout the book in the same ...
Стр. 525
... reader's mind , so that what happens appears to be more of the reader's doing than the poet's . The button is pressed , and then the author's work is done , for immediately the record starts playing in quasi- ( or total ) independence ...
... reader's mind , so that what happens appears to be more of the reader's doing than the poet's . The button is pressed , and then the author's work is done , for immediately the record starts playing in quasi- ( or total ) independence ...
Содержание
Contents | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 30
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write