Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 41
... reader , which is , that in judging these Poems he would de- cide by his own feelings genuinely , and not by reflection upon what will probably be the judge ment of others . How common is it to hear a person say , I myself do not object ...
... reader , which is , that in judging these Poems he would de- cide by his own feelings genuinely , and not by reflection upon what will probably be the judge ment of others . How common is it to hear a person say , I myself do not object ...
Стр. 385
... reader in an ordinary novel - must be recon- structed from fragments , sometimes hundreds of pages apart , scattered through the book . As a result , the reader is forced to read Ulysses in exactly the same manner as he reads modern ...
... reader in an ordinary novel - must be recon- structed from fragments , sometimes hundreds of pages apart , scattered through the book . As a result , the reader is forced to read Ulysses in exactly the same manner as he reads modern ...
Стр. 387
... reader in the stream of time , that is , presenting him with characters that de- velop progressively , in a continuous line of development , Proust confronts the reader with various snapshots of the characters " motionless in a moment ...
... reader in the stream of time , that is , presenting him with characters that de- velop progressively , in a continuous line of development , Proust confronts the reader with various snapshots of the characters " motionless in a moment ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 36
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young