Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 10
... reason , because you were afraid of being thought a buffoon , is now let out again ; and having stimu- lated the risible faculty at the theatre , you are betrayed unconsciously to yourself into playing the comic poet at home . Quite ...
... reason , because you were afraid of being thought a buffoon , is now let out again ; and having stimu- lated the risible faculty at the theatre , you are betrayed unconsciously to yourself into playing the comic poet at home . Quite ...
Стр. 360
... reason . Consider Pope's lines from " The Essay on Man " : ... In doubt his Mind or Body to prefer ; Born but to die , and reas'ning but to err ; Alike in ignorance , his Reason such , Whether he thinks too little , or too much ...
... reason . Consider Pope's lines from " The Essay on Man " : ... In doubt his Mind or Body to prefer ; Born but to die , and reas'ning but to err ; Alike in ignorance , his Reason such , Whether he thinks too little , or too much ...
Стр. 498
... reason , of our excellent and indispensable eighteenth century . For the purposes of their mission and destiny their poetry , like their prose , is admirable . Do you ask me whether Dryden's verse , take it al- most where you will , is ...
... reason , of our excellent and indispensable eighteenth century . For the purposes of their mission and destiny their poetry , like their prose , is admirable . Do you ask me whether Dryden's verse , take it al- most where you will , is ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young