Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 233
... relation of what had happened within at the Soldier's entertainment . The relations like- wise of Sejanus's death , and the prodigies be- fore it , are remarkable ; the one of which was hid from sight , to avoid the horror and tumult of ...
... relation of what had happened within at the Soldier's entertainment . The relations like- wise of Sejanus's death , and the prodigies be- fore it , are remarkable ; the one of which was hid from sight , to avoid the horror and tumult of ...
Стр. 274
... relation of drama to religious liturgy . D : I have a suggestion to put forward . It is this : can we not take it that the form of the drama must vary from age to age in accordance with religious assumptions of the age ? That is , that ...
... relation of drama to religious liturgy . D : I have a suggestion to put forward . It is this : can we not take it that the form of the drama must vary from age to age in accordance with religious assumptions of the age ? That is , that ...
Стр. 457
... relation both between each other and towards that which they represent , and a perception of the order of those relations has always been found connected with a perception of the order of the relations of thoughts . Hence the language ...
... relation both between each other and towards that which they represent , and a perception of the order of those relations has always been found connected with a perception of the order of the relations of thoughts . Hence the language ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young