Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 94
... scene which remains a high scene in American humor , full of comedy indeed , full of pathos and hurt - the scene of the Coreys ' dinner - party . But Howells evaded the full scope of the indicated differences , packing Lapham off to ...
... scene which remains a high scene in American humor , full of comedy indeed , full of pathos and hurt - the scene of the Coreys ' dinner - party . But Howells evaded the full scope of the indicated differences , packing Lapham off to ...
Стр. 383
... scene in Madame Bovary is a convenient point of de- parture . This scene has justly been praised for its mordant caricature of bourgeois pomposity , its portrayal - unusually sympathetic for Flau- bert - of the bewildered old servant ...
... scene in Madame Bovary is a convenient point of de- parture . This scene has justly been praised for its mordant caricature of bourgeois pomposity , its portrayal - unusually sympathetic for Flau- bert - of the bewildered old servant ...
Стр. 384
... scene illustrates , on a small scale , what we mean by the spatialization of form in a novel . For the duration of the scene , at least , the time- flow of the narrative is halted ; attention is fixed on the interplay of relationships ...
... scene illustrates , on a small scale , what we mean by the spatialization of form in a novel . For the duration of the scene , at least , the time- flow of the narrative is halted ; attention is fixed on the interplay of relationships ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young