Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 163
... seems to be an authentic fact , though Mrs. Wharton does not mention it in her memoirs , that she first seriously began to write fiction after her marriage during the period of a nervous breakdown , at the sugges- tion of Dr. S. Weir ...
... seems to be an authentic fact , though Mrs. Wharton does not mention it in her memoirs , that she first seriously began to write fiction after her marriage during the period of a nervous breakdown , at the sugges- tion of Dr. S. Weir ...
Стр. 350
... seems no way of putting in a judgment of value ; on his account a metaphysical conceit is essentially a vivid statement of a puzzle , and in practice it is more . I should say that this process is at work in much poetry that does not seem ...
... seems no way of putting in a judgment of value ; on his account a metaphysical conceit is essentially a vivid statement of a puzzle , and in practice it is more . I should say that this process is at work in much poetry that does not seem ...
Стр. 375
... seems to be the belief that poetry is an essence that is to be located at some particular place in a poem , or in some particular element . The exponent of pure poetry persuades himself that he has deter- mined the particular something ...
... seems to be the belief that poetry is an essence that is to be located at some particular place in a poem , or in some particular element . The exponent of pure poetry persuades himself that he has deter- mined the particular something ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young