Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 348
... sense ( " the wanton stings and mo- tions of the s " ) . That rich word confuses the pleasure and the knowledge given the senses ( Donne wants to imply they are mutually de- pendent ) and suggests that soul and body are in a healthy ...
... sense ( " the wanton stings and mo- tions of the s " ) . That rich word confuses the pleasure and the knowledge given the senses ( Donne wants to imply they are mutually de- pendent ) and suggests that soul and body are in a healthy ...
Стр. 524
... sense of poetry , 1 treated more or less in isolation from its other kinds of meaning . But the interferences with " Sense and Feeling " is the third chapter of Part III of Practical Criticism ( 1929 ) and , together with the extended ...
... sense of poetry , 1 treated more or less in isolation from its other kinds of meaning . But the interferences with " Sense and Feeling " is the third chapter of Part III of Practical Criticism ( 1929 ) and , together with the extended ...
Стр. 527
... sense and feeling and to the ways in which the feeling may be , in various degrees , dependent on the sense . And let us be careful to remember that we are concerned , firstly , with the feeling actually aroused by the word in the poem ...
... sense and feeling and to the ways in which the feeling may be , in various degrees , dependent on the sense . And let us be careful to remember that we are concerned , firstly , with the feeling actually aroused by the word in the poem ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young