Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 88
... simple effects of contrast and comprise a revelation of moral beauty transcending national considerations al- together ; and the pattern was often broken by gross contradictions and incongruities . Yet inno- cence as drawn by Henry ...
... simple effects of contrast and comprise a revelation of moral beauty transcending national considerations al- together ; and the pattern was often broken by gross contradictions and incongruities . Yet inno- cence as drawn by Henry ...
Стр. 205
... Simple or Complex , for the actions in real life , of which the plots are an imitation , obviously show a similar distinction . 2. An action which is one and continuous in the sense above defined , I call Simple , when the change of ...
... Simple or Complex , for the actions in real life , of which the plots are an imitation , obviously show a similar distinction . 2. An action which is one and continuous in the sense above defined , I call Simple , when the change of ...
Стр. 350
... simple kind , an expression of culti- vated and good - humoured sensuality ; this does not by any means destroy the pathetic dignity of the close . There is a suggestion that the author finds the convention fascinating but absurd ...
... simple kind , an expression of culti- vated and good - humoured sensuality ; this does not by any means destroy the pathetic dignity of the close . There is a suggestion that the author finds the convention fascinating but absurd ...
Содержание
Contents | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 30
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action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write