Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 97
... society merely represent the domi . nance of one particular class — the economic dominance and therefore the cultural dominance of that class . For the stability of such a society a certain uniformity of ideas and modes of ex- pression ...
... society merely represent the domi . nance of one particular class — the economic dominance and therefore the cultural dominance of that class . For the stability of such a society a certain uniformity of ideas and modes of ex- pression ...
Стр. 118
... society is to be seen not only in shrinking incomes ; a corresponding col- lapse is evident in other spheres . The economic base is badly rotted ; but , disintegration and decay are rushing every aspect of contemporary , society ...
... society is to be seen not only in shrinking incomes ; a corresponding col- lapse is evident in other spheres . The economic base is badly rotted ; but , disintegration and decay are rushing every aspect of contemporary , society ...
Стр. 131
... society and therefore cannot be appropriated by individuals . Of course this is an outside view of the process . Subjectively the artist believes himself to be realising an ideal freedom derived from the " magic " qualities of art works ...
... society and therefore cannot be appropriated by individuals . Of course this is an outside view of the process . Subjectively the artist believes himself to be realising an ideal freedom derived from the " magic " qualities of art works ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young