Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 11
... speak concerning the actions of men ; but like yourself when speaking about Homer , they do not speak of them by any rules of art : they are simply inspired to utter that to which the Muse impels them , and that only ; and when inspired ...
... speak concerning the actions of men ; but like yourself when speaking about Homer , they do not speak of them by any rules of art : they are simply inspired to utter that to which the Muse impels them , and that only ; and when inspired ...
Стр. 238
... speak of the play , to give us a character of the author ; and tell us frankly your opinion , whether you do not think all writers , both French and English , ought to give place to him . " " I fear , " replied Neander , " that in ...
... speak of the play , to give us a character of the author ; and tell us frankly your opinion , whether you do not think all writers , both French and English , ought to give place to him . " " I fear , " replied Neander , " that in ...
Стр. 475
... speak not of the under- standing , but of " the understanding heart , " making the heart , i.e. , the great ... speak or can be taught to speak . They never can transmigrate into new incarnations . To reproduce these in new forms , or ...
... speak not of the under- standing , but of " the understanding heart , " making the heart , i.e. , the great ... speak or can be taught to speak . They never can transmigrate into new incarnations . To reproduce these in new forms , or ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young