Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 52
... story " which I shall not attempt to criticize , though they seem to me to contain a singular ambiguity , because I do not think I understand them . I cannot see what is meant by talking as if there were a part of a novel which is the story ...
... story " which I shall not attempt to criticize , though they seem to me to contain a singular ambiguity , because I do not think I understand them . I cannot see what is meant by talking as if there were a part of a novel which is the story ...
Стр. 279
... story : the chopped - off length of the tapeworm of time . Now we arrive at a much higher aspect : the plot , and ... story as a narrative of events arranged in their time- sequence . A plot is also a narrative of events , the emphasis ...
... story : the chopped - off length of the tapeworm of time . Now we arrive at a much higher aspect : the plot , and ... story as a narrative of events arranged in their time- sequence . A plot is also a narrative of events , the emphasis ...
Стр. 355
... story which claims to unite in mutual progress the event and the character's reaction to the event , so that the mental picture is always dependent on the physical situation , can exploit the points in consciousness where the past ...
... story which claims to unite in mutual progress the event and the character's reaction to the event , so that the mental picture is always dependent on the physical situation , can exploit the points in consciousness where the past ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 36
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young