Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 52
... story " which I shall not attempt to criticize , though they seem to me to contain a singular ambiguity , because I do not think I understand them . I cannot see what is meant by talking as if there were a part of a novel which is the story ...
... story " which I shall not attempt to criticize , though they seem to me to contain a singular ambiguity , because I do not think I understand them . I cannot see what is meant by talking as if there were a part of a novel which is the story ...
Стр. 147
... story based on this inter- pretation . According to this theory , the young governess who tells the story is a neurotic case of sex re- pression , and the ghosts are not real ghosts at all but merely the hallucinations of the govern ...
... story based on this inter- pretation . According to this theory , the young governess who tells the story is a neurotic case of sex re- pression , and the ghosts are not real ghosts at all but merely the hallucinations of the govern ...
Стр. 355
... story which claims to unite in mutual progress the event and the character's reaction to the event , so that the mental picture is always dependent on the physical situation , can exploit the points in consciousness where the past ...
... story which claims to unite in mutual progress the event and the character's reaction to the event , so that the mental picture is always dependent on the physical situation , can exploit the points in consciousness where the past ...
Содержание
Contents | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 30
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write