Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 51
... tell you what you must not take , you will call upon me to tell you then what you must take ; in which case I shall be prettily caught . More- over , it isn't till I have accepted your data that I can begin to measure you . have the ...
... tell you what you must not take , you will call upon me to tell you then what you must take ; in which case I shall be prettily caught . More- over , it isn't till I have accepted your data that I can begin to measure you . have the ...
Стр. 123
... tell the reader how to feel about the book ; he cannot tell the reader to be happy or sad after reading it - not even though he be " the foremost Marxist literary critic of America . " But he can ― ration- ally and without wish ...
... tell the reader how to feel about the book ; he cannot tell the reader to be happy or sad after reading it - not even though he be " the foremost Marxist literary critic of America . " But he can ― ration- ally and without wish ...
Стр. 284
... Tell it them , Bernard . " " Les Faux Monnayeurs , " said Bernard . " And now will you please tell us who these faux mon- nayeurs are . " " I haven't the least idea . " Bernard and Laura looked at each other and then at Sophroniska ...
... Tell it them , Bernard . " " Les Faux Monnayeurs , " said Bernard . " And now will you please tell us who these faux mon- nayeurs are . " " I haven't the least idea . " Bernard and Laura looked at each other and then at Sophroniska ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young