Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 7
... tell the flute - maker which of his flutes is satisfactory to the performer ; he will tell him how he ought to make them , and the other will attend to his instructions ? Of course . The one knows and therefore speaks with authority ...
... tell the flute - maker which of his flutes is satisfactory to the performer ; he will tell him how he ought to make them , and the other will attend to his instructions ? Of course . The one knows and therefore speaks with authority ...
Стр. 123
... tell the reader how to feel about the book ; he cannot tell the reader to be happy or sad after reading it - not even though he be " the foremost Marxist literary critic of America . " But he can - ration- ally and without wish ...
... tell the reader how to feel about the book ; he cannot tell the reader to be happy or sad after reading it - not even though he be " the foremost Marxist literary critic of America . " But he can - ration- ally and without wish ...
Стр. 284
... Tell it them , Bernard . " " Les Faux Monnayeurs , " said Bernard . " And now will you please tell us who these faux mon- nayeurs are . " " I haven't the least idea . " Bernard and Laura looked at each other and then at Sophroniska ...
... Tell it them , Bernard . " " Les Faux Monnayeurs , " said Bernard . " And now will you please tell us who these faux mon- nayeurs are . " " I haven't the least idea . " Bernard and Laura looked at each other and then at Sophroniska ...
Содержание
Contents | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 30
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action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write