Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 7
... tell the flute - maker which of his flutes is satisfactory to the performer ; he will tell him how he ought to make them , and the other will attend to his instructions ? Of course . The one knows and therefore speaks with authority ...
... tell the flute - maker which of his flutes is satisfactory to the performer ; he will tell him how he ought to make them , and the other will attend to his instructions ? Of course . The one knows and therefore speaks with authority ...
Стр. 123
... tell the reader how to feel about the book ; he cannot tell the reader to be happy or sad after reading it - not even though he be " the foremost Marxist literary critic of America . " But he can ― ration- ally and without wish ...
... tell the reader how to feel about the book ; he cannot tell the reader to be happy or sad after reading it - not even though he be " the foremost Marxist literary critic of America . " But he can ― ration- ally and without wish ...
Стр. 149
... tell her why he was sent away ; appeal . ing to him with what seems to her desperate tenderness but what must seem queer and dis- quieting to the child , she insists that all she wants is to save him . There is the sudden gust of wind ...
... tell her why he was sent away ; appeal . ing to him with what seems to her desperate tenderness but what must seem queer and dis- quieting to the child , she insists that all she wants is to save him . There is the sudden gust of wind ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 36
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young