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Стр. 5
1 What do you mean ? poets do really kno : v the things about which I mean , that you may look at a bed from they seem to the many to speak so well ? different points of view , obliquely or directly or The question , he said , should by ...
1 What do you mean ? poets do really kno : v the things about which I mean , that you may look at a bed from they seem to the many to speak so well ? different points of view , obliquely or directly or The question , he said , should by ...
Стр. 193
Since I was nine , I have Sometimes , perhaps a single time in years , wanted to be various things , for example , Prime Her wandering fingers stoop to arrange some flowers , Minister ( when I was twelve ) . Like some other Then in her ...
Since I was nine , I have Sometimes , perhaps a single time in years , wanted to be various things , for example , Prime Her wandering fingers stoop to arrange some flowers , Minister ( when I was twelve ) . Like some other Then in her ...
Стр. 469
verse of things . Poetry redeems from decay the the most spotless virtue , of the most consummate visitations of the divinity in man . prudence , and , if we would look into the interior Poetry turns all things to loveliness ; it exalts ...
verse of things . Poetry redeems from decay the the most spotless virtue , of the most consummate visitations of the divinity in man . prudence , and , if we would look into the interior Poetry turns all things to loveliness ; it exalts ...
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Содержание
PLATO | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appears artist beauty become beginning believe better called cause character comes common consider course criticism drama effect elements emotion English example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely method mind moral nature never novel object observed once particular passion perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced question reader reason relation represent seems sense simple social speak spirit story things thought tion tragedy true truth turn understand universal verse whole write