Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 5
... things . Yes , he said , the difference is only apparent . Now let me ask you another question : Which is the art of painting designed to be an imita- tion of things as they are , or as they appear- of appearance or of reality ? Of ...
... things . Yes , he said , the difference is only apparent . Now let me ask you another question : Which is the art of painting designed to be an imita- tion of things as they are , or as they appear- of appearance or of reality ? Of ...
Стр. 193
... things far outside their own self - centred- ness ( the weakness of memory is its self - centred ness : hence the narcissistic nature of most poetry ) . Here I can detect my own greatest weakness . My memory is defective and self ...
... things far outside their own self - centred- ness ( the weakness of memory is its self - centred ness : hence the narcissistic nature of most poetry ) . Here I can detect my own greatest weakness . My memory is defective and self ...
Стр. 469
... things . Poetry redeems from decay the visitations of the divinity in man . Poetry turns all things to loveliness ; it exalts the beauty of that which is most beautiful , and it adds beauty to that which is most deformed ; it marries ...
... things . Poetry redeems from decay the visitations of the divinity in man . Poetry turns all things to loveliness ; it exalts the beauty of that which is most beautiful , and it adds beauty to that which is most deformed ; it marries ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young