Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 56
... tragic , but only the suffering that comes of a special kind of action . Pity for mere misfortune , like fear of it , is not tragic pity or fear . These are due to the spectacle of the con- flict and its attendant suffering , which do ...
... tragic , but only the suffering that comes of a special kind of action . Pity for mere misfortune , like fear of it , is not tragic pity or fear . These are due to the spectacle of the con- flict and its attendant suffering , which do ...
Стр. 64
... tragic , but unfit for the hero's part ; below him persons like Regan or , in the very depth , Oswald , characters no longer ( at least in the dramatic sense ) tragic at all . Moral evil , that is to say , so greatly diminishes the ...
... tragic , but unfit for the hero's part ; below him persons like Regan or , in the very depth , Oswald , characters no longer ( at least in the dramatic sense ) tragic at all . Moral evil , that is to say , so greatly diminishes the ...
Стр. 206
... tragic imitation . It follows plainly , in the first place , that the change of fortune presented must not be the spectacle of a virtuous man brought from prosperity to ad- versity : for this moves neither pity nor fear ; it merely ...
... tragic imitation . It follows plainly , in the first place , that the change of fortune presented must not be the spectacle of a virtuous man brought from prosperity to ad- versity : for this moves neither pity nor fear ; it merely ...
Содержание
Contents | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 30
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write