Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 137
... turn light up the social background . The novelist cannot write his story of the indi- vidual fate unless he also has this steady vision of the whole . He must understand how his final result arises from the individual conflicts of his ...
... turn light up the social background . The novelist cannot write his story of the indi- vidual fate unless he also has this steady vision of the whole . He must understand how his final result arises from the individual conflicts of his ...
Стр. 150
... Turn of the Screw , " one wonders how one could ever have missed it . There is a very good reason , however , in the fact that nowhere does James unequivocally give the thing away : almost everything from beginning to end can be read ...
... Turn of the Screw , " one wonders how one could ever have missed it . There is a very good reason , however , in the fact that nowhere does James unequivocally give the thing away : almost everything from beginning to end can be read ...
Стр. 314
... turn deliberately from Santayana on Lucretius to Van Wyck Brooks on Henry James , we turn from the consideration of the rational ulterior purpose of art to the considera- tion of the irrational underlying predicament of the artist ...
... turn deliberately from Santayana on Lucretius to Van Wyck Brooks on Henry James , we turn from the consideration of the rational ulterior purpose of art to the considera- tion of the irrational underlying predicament of the artist ...
Содержание
Contents | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 30
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write