Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
Результаты поиска по книге
Результаты 1 – 3 из 78
Стр. 137
... turn light up the social background . The novelist cannot write his story of the indi- vidual fate unless he also has this steady vision of the whole . He must understand how his final result arises from the individual conflicts of his ...
... turn light up the social background . The novelist cannot write his story of the indi- vidual fate unless he also has this steady vision of the whole . He must understand how his final result arises from the individual conflicts of his ...
Стр. 150
... Turn of the Screw , " one wonders how one could ever have missed it . There is a very good reason , however , in the fact that nowhere does James unequivocally give the thing away : almost everything from beginning to end can be read ...
... Turn of the Screw , " one wonders how one could ever have missed it . There is a very good reason , however , in the fact that nowhere does James unequivocally give the thing away : almost everything from beginning to end can be read ...
Стр. 314
... turn deliberately from Santayana on Lucretius to Van Wyck Brooks on Henry James , we turn from the consideration of the rational ulterior purpose of art to the considera- tion of the irrational underlying predicament of the artist ...
... turn deliberately from Santayana on Lucretius to Van Wyck Brooks on Henry James , we turn from the consideration of the rational ulterior purpose of art to the considera- tion of the irrational underlying predicament of the artist ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 36
Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young