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Стр. 393
T HE CENTRAL argument of this essay , con- cerning what I shall , taking a term from Hegel , call the " concrete universal , " pro- ceeds from the observation that literary theorists have from early times to the present persisted in ...
T HE CENTRAL argument of this essay , con- cerning what I shall , taking a term from Hegel , call the " concrete universal , " pro- ceeds from the observation that literary theorists have from early times to the present persisted in ...
Стр. 395
The concrete facts in a special way embody and draw attention to an aspect of themselves ( a value ) , the universal . A more elaborate form of the doctrine and a determined attempt to clarify the paradox involved in it , is to be found ...
The concrete facts in a special way embody and draw attention to an aspect of themselves ( a value ) , the universal . A more elaborate form of the doctrine and a determined attempt to clarify the paradox involved in it , is to be found ...
Стр. 397
For then the picture would present the same universal as Reynolds ' portrait of Mrs. Siddons as " The Tragic Muse , " and all differ- ences between " The Age of Innocence " and " The Tragic Muse " would be aesthetically irrelevant .
For then the picture would present the same universal as Reynolds ' portrait of Mrs. Siddons as " The Tragic Muse , " and all differ- ences between " The Age of Innocence " and " The Tragic Muse " would be aesthetically irrelevant .
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Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young
Библиографические данные
| Название | Criticism: The Foundations of Modern Literary Judgment George Whalley collection: Coleridge (Выпуск 211) |
| Редакторы | Mark Schorer, Josephine Miles, Gordon McKenzie |
| Издатель | Harcourt, Brace, 1948 |
| Владелец оригинала: | Мичиганский университет |
| Оцифровано | 30 авг 2006 |
| Количество страниц | Всего страниц: 553 |
| Экспорт цитаты | BiBTeX EndNote RefMan |