Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 393
... Universal " in Literature * character is too often an individual ; in those of. W. K. WIMSATT , JR .: T HE CENTRAL argument of this essay , con- cerning what I shall , taking a term from Hegel , call the " concrete universal , " pro ...
... Universal " in Literature * character is too often an individual ; in those of. W. K. WIMSATT , JR .: T HE CENTRAL argument of this essay , con- cerning what I shall , taking a term from Hegel , call the " concrete universal , " pro ...
Стр. 395
... universal . A more elaborate form of the doctrine and a determined attempt to clarify the paradox involved in it , is to be found in the writings of a literary critic , Mr. John Crowe Ransom , who speaks of the argument of a poem ( the ...
... universal . A more elaborate form of the doctrine and a determined attempt to clarify the paradox involved in it , is to be found in the writings of a literary critic , Mr. John Crowe Ransom , who speaks of the argument of a poem ( the ...
Стр. 397
... universal is presented , " The Age of Innocence , " and without the title should we not know the universal ? The question will be : What in the individual work of art demands that we attribute to it one universal rather than another ...
... universal is presented , " The Age of Innocence , " and without the title should we not know the universal ? The question will be : What in the individual work of art demands that we attribute to it one universal rather than another ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young