Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 210
... whole story of the Fall of Troy , instead of selecting portions , like Euripides ; or who have taken the whole tale of Niobe , and not a part of her story , like Aeschylus , either fail utterly or meet with poor success on the stage ...
... whole story of the Fall of Troy , instead of selecting portions , like Euripides ; or who have taken the whole tale of Niobe , and not a part of her story , like Aeschylus , either fail utterly or meet with poor success on the stage ...
Стр. 252
... whole attention of the reader to itself , becomes dis- joined from its context , and forms a separate whole , instead of a harmonizing part ; and on the other hand , to an unsustained composition , from which the reader collects rapidly ...
... whole attention of the reader to itself , becomes dis- joined from its context , and forms a separate whole , instead of a harmonizing part ; and on the other hand , to an unsustained composition , from which the reader collects rapidly ...
Стр. 357
... whole of Stephen , even though the whole of him is not yet , as it were , made actual . We can see the germ of the future in the present and without looking beyond the present . In Mrs. Dalloway , too , though the method is applied to ...
... whole of Stephen , even though the whole of him is not yet , as it were , made actual . We can see the germ of the future in the present and without looking beyond the present . In Mrs. Dalloway , too , though the method is applied to ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young