Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 66
... writing , try- ing to write , or failing to write , a novel . And when I ask myself , as your invitation to speak to you about modern fiction made me ask my- self , what demon whispered in my ear and urged me to my doom , a little ...
... writing , try- ing to write , or failing to write , a novel . And when I ask myself , as your invitation to speak to you about modern fiction made me ask my- self , what demon whispered in my ear and urged me to my doom , a little ...
Стр. 189
... write down at all . For every poem which I do write down , there are seven or eight which I never complete . The method which I adopt therefore is to write down as many ideas as possible , in how- ever rough a form , in notebooks ( I ...
... write down at all . For every poem which I do write down , there are seven or eight which I never complete . The method which I adopt therefore is to write down as many ideas as possible , in how- ever rough a form , in notebooks ( I ...
Стр. 246
... write at all , or to attempt some other way . There is no bays to be expected in their walks : tentanda via est , quà me quoque possum tollere humo.51 " This way of writing in verse they have only left free to us ; our age is arrived to ...
... write at all , or to attempt some other way . There is no bays to be expected in their walks : tentanda via est , quà me quoque possum tollere humo.51 " This way of writing in verse they have only left free to us ; our age is arrived to ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
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Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young