Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 93
... writing , but not the compul- sion of a deep and natural , simple emotion . He gains power by integrity , by a close intensity of view , often by intensity of the mind . His por- trayals gain every possible concentration from the high ...
... writing , but not the compul- sion of a deep and natural , simple emotion . He gains power by integrity , by a close intensity of view , often by intensity of the mind . His por- trayals gain every possible concentration from the high ...
Стр. 111
... writing the poem . If I had sought for rhymes I should inevitably have been compelled to distort my narrative and my imagery , and to that extent to be false to my inspiration . And such , indeed , has always been my practice in writing ...
... writing the poem . If I had sought for rhymes I should inevitably have been compelled to distort my narrative and my imagery , and to that extent to be false to my inspiration . And such , indeed , has always been my practice in writing ...
Стр. 188
... writing is essentially one of concentration , and the supposed eccen- tricities of poets are usually due to mechanical habits or rituals developed in order to concen- trate . Concentration , of course , for the purposes of writing ...
... writing is essentially one of concentration , and the supposed eccen- tricities of poets are usually due to mechanical habits or rituals developed in order to concen- trate . Concentration , of course , for the purposes of writing ...
Содержание
Contents | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 30
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Часто встречающиеся слова и выражения
action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write