The Critical Response to John Milton's Paradise LostTimothy Miller Bloomsbury Academic, 1997 M04 22 - 337 pages Paradise Lost was recognized as a major epic poem soon after its publication in 1667. For more than three centuries, critics have been describing, interpreting, and evaluating it. Regardless of their approaches to changing literary values, they have generally accepted it as the prime example of the epic in English. As many critics have observed, the poem brought biblical, literary, cultural, social, scientific, and political elements into such aesthetic harmony that even its detractors have been forced to recognize its greatness. And because of its complexity, it has become a test case in literary studies as a focal point for changing critical assumptions and literary values. This reference book traces the critical reception of Paradise Lost from the 17th century to the present. The volume is organized in chapters devoted to particular centuries, with each chapter presenting a selection of reviews and critical essays from that period. Thus the reader is able to chart the changing response to ^IParadise Lost^R over time. An introductory essay summarizes the reception of Milton's work, and a bibliography lists important sources of additional information. |
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... Satan : [ 3.418-425 ] . It is Satan again who , in prospect of Eden , looks sadly from the earth : [ 4.27-30 ] . It is through Satan's eyes that we view the most telescopic of all scenes in Paradise Lost : as Satan [ 3.542-566 ] . It is ...
... Satan's magnificent vitality inspires an artistically necessary degree of imaginative response while , as a being dedicated to evil , he inspires profound aversion . Because he has a conscience ( like Macbeth ) , he contains tragic ...
... Satan against God , there is a dramatic defect in the fact that God is all - powerful and cannot be withstood ... Satan's rebellion there had never been occasion for God to display his full might , so the angelic rebels did not clearly ...
Contents
Milton and the Telescope | 14 |
Dominant Residual | 18 |
An Essay Upon the Civil Wars of France And also Upon | 23 |
Copyright | |
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