Kunapipi, Том 24,Выпуски 1-2Dangaroo Press, 2002 |
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Стр. 142
... kind of creative or critical statement is to make a stand for the recognition and value of their subject position whether individually or collectively . Tradition might have hierarchised creative forms , but women are now writing back ...
... kind of creative or critical statement is to make a stand for the recognition and value of their subject position whether individually or collectively . Tradition might have hierarchised creative forms , but women are now writing back ...
Стр. 259
... kind of statistics questionable . If we want to see this painting , this ' history on white linen ' as Herwitz calls it , as an attempt to maintain dominance in a kind of European- referenced national memorialising project , it is ...
... kind of statistics questionable . If we want to see this painting , this ' history on white linen ' as Herwitz calls it , as an attempt to maintain dominance in a kind of European- referenced national memorialising project , it is ...
Стр. 275
... kind of South African theatrical experience . Drawing on indigenous and creolised performance traditions from all over the world , his spectacularly staged works use large casts , including professional performers and locals - children ...
... kind of South African theatrical experience . Drawing on indigenous and creolised performance traditions from all over the world , his spectacularly staged works use large casts , including professional performers and locals - children ...
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Adamastor African women Afrikaans anthology apartheid audience Bailey Bailey's body Cape Town Coetzee Coetzee's colonial coloured contemporary critical cultural David David's Story Derek Attridge discourse Disgrace dress Dulcie Dulcie's Eastern Cape English essay father female Feminist Press fiction figure gender girls Grahamstown Grandpa Griqua icon identity images imagination indigenous issue izibongo J.M. Coetzee Johannesburg Khoisan Krotoä Kunapipi language Lauretta Ngcobo literary lives London look Lucy male Mda's Melanie memory mother narrative narrator Ndwedwe Nongqawuse novel overtone singing painting past performance photograph play political post-apartheid postcolonial present Princess Magogo published race racial rape readers recognise representation Saartje Baartman says silence SK & RG social song South Africa South African literature Southern African speak struggle suggests tell theatre traditional Triomf Truth and Reconciliation victims voice Wicomb woman women's writing wound Xhosa young Zoë Zulu