The Quarterly Review, Volume 120John Murray, 1866 |
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... VI . - 1 .. The Life of Bishop Wilson . By the Rev. John Keble . Parker , 1863 . Page 1 39 64 105 155 2. The Manx Society Publications , 1858-1865 . Douglas 171 66 125ST2 89 005 53 XL 2gMM2593 ART . Page VII . - 1 . Up the.
... VI . - 1 .. The Life of Bishop Wilson . By the Rev. John Keble . Parker , 1863 . Page 1 39 64 105 155 2. The Manx Society Publications , 1858-1865 . Douglas 171 66 125ST2 89 005 53 XL 2gMM2593 ART . Page VII . - 1 . Up the.
Page 106
... Wilson , whose sole instructor was an obscure portrait - painter , subsequently formed himself in Italy by the study of nature and the great masters of landscape . While Reynolds was serving an apprenticeship to Hudson , another ...
... Wilson , whose sole instructor was an obscure portrait - painter , subsequently formed himself in Italy by the study of nature and the great masters of landscape . While Reynolds was serving an apprenticeship to Hudson , another ...
Page 110
... Wilson joined to offensive manners a fondness for coarse conviviality , and his nose , bloated with beer - drinking , was the jest of the boys in the street . When the heads of the profession were low and licentious in their tastes the ...
... Wilson joined to offensive manners a fondness for coarse conviviality , and his nose , bloated with beer - drinking , was the jest of the boys in the street . When the heads of the profession were low and licentious in their tastes the ...
Page 128
... me much , ' wrote Gainsborough to an attorney at Ipswich in 1758 , by saying that no other fault is found in your picture than the roughness 4 of close to the canvas . Here , ' remarked Wilson 128 Life of Sir Joshua Reynolds .
... me much , ' wrote Gainsborough to an attorney at Ipswich in 1758 , by saying that no other fault is found in your picture than the roughness 4 of close to the canvas . Here , ' remarked Wilson 128 Life of Sir Joshua Reynolds .
Page 129
close to the canvas . Here , ' remarked Wilson to Beechey , after leading him to the further corner of the room , is where you should view a painting , with your eyes and not with your nose . ' Nor can any one form a competent judgment ...
close to the canvas . Here , ' remarked Wilson to Beechey , after leading him to the further corner of the room , is where you should view a painting , with your eyes and not with your nose . ' Nor can any one form a competent judgment ...
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