The Quarterly Review, Volume 120John Murray, 1866 |
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Page 1
... painting the Duke himself exactly as he was , ' appearing as ' the People's edition , ' and from the pen of the Chaplain - General of the Forces , ought to be as attractive a volume as could be placed in the hands of a British subject ...
... painting the Duke himself exactly as he was , ' appearing as ' the People's edition , ' and from the pen of the Chaplain - General of the Forces , ought to be as attractive a volume as could be placed in the hands of a British subject ...
Page 105
... painting had sunk very low . But when art has passed through its various stages of decay till it has lapsed into vapid imitation there is a natural tendency to The to a revival . Nothing is left in the Iron and Steel . 105.
... painting had sunk very low . But when art has passed through its various stages of decay till it has lapsed into vapid imitation there is a natural tendency to The to a revival . Nothing is left in the Iron and Steel . 105.
Page 106
... painting from its thraldom . He was proud of the free and varied power which was manifested later at the Academy exhibitions , and he used to say , as Farington reports , ' that the independence of the national character was apparent ...
... painting from its thraldom . He was proud of the free and varied power which was manifested later at the Academy exhibitions , and he used to say , as Farington reports , ' that the independence of the national character was apparent ...
Page 107
... painting and his own attempts in portrait were of the literal kind . His theory embodied the vulgar prejudices which have often blunted the perceptions and misled the judgment of persons who are ignorant of art . ' I found , ' he said ...
... painting and his own attempts in portrait were of the literal kind . His theory embodied the vulgar prejudices which have often blunted the perceptions and misled the judgment of persons who are ignorant of art . ' I found , ' he said ...
Page 109
... painting . ' * The comparison was unjust . Johnson was blind in one eye , and could only see with the other by applying it close to an object and gradually moving his head over the surface . He had to look at a picture in succes- sive ...
... painting . ' * The comparison was unjust . Johnson was blind in one eye , and could only see with the other by applying it close to an object and gradually moving his head over the surface . He had to look at a picture in succes- sive ...
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Allan Cunningham ancient animal appears architecture army authority Badakhshan Baker beauty believe Bishop Bokhara British burrow Cabul Central Asia century Chanson character Charlemagne Church Colonel Wellesley colonies colour columns command court criticism Despatches doubt Duke Durendal effect enemy England English entablature fact favour feet Fergusson force France French galleys Ganelon Gleig Gondokoro Gospel Government Greek habits hand Herat honour India interest invention Irenćus iron Jamaica Jaxartes Jesus Karl Kashgar King Kokand labour Ladakh letter look Lord Lord Mornington Louis Blanc Marteilhe ment metal military mind nature negroes nest never Northcote object observation officers opinion Oxus painter Pamír Parliament party passed persons political portion possession present principles question remarkable Reynolds river Roland Roman Russian says side Sir Joshua steel tion troops Whigs whole wood Yarkend