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TWO TRICKS OF AN INDIAN JUGGLER.

By E. STANLEY ROBERTSON, late of the Bengal Civil Service.

EARLY in January, 1877, I was stationed at Moradabad, in Rohilkund. My wife was in England invalided; so instead of living alone I had adopted a common and convenient Indian fashion and was

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"chumming with a friend. My chum was Mr. Carmichael-Smyth, acting Superintendent of Police for the district. One day Mr. Smyth One day Mr. Smyth told me that he expected to receive a visit from a native, an amateur conjuror, who would perform some amusing tricks. It so happened that on the same day we waited on by a Parsee pedlar, who wanted to sell us ivory and sandalwood carvings, and such-like knickknacks which are the usual stockin-trade of the Parsee travelling merchants. While we were chaffering with this man the conjuror was announced, and was shown into the common sitting room.

He was

followed by a crowd of our servants -for the native of every rank loves a conjuror, and gazes on a conjuring performance with the simple admiration of a child.

There was nothing very remarkable in the appearance or dress of our conjuror. An elderly man, short and sparely made, dressed in dingy white cotton, with very tight sleeves to his robe and very tight legs to his drawers; he might have been a respectable servant out of place, but actually was a small landowner who had taken to conjuring for his amusement.

When he entered the room he spread a white cloth upon the floor

and sat down upon it with his back to the wall, the door of the room being on his right hand. His spectators were disposed in the following fashion: Mr. Smyth sat on a chair nearly in the middle of the room, I was sitting on a sofa near the door, the Parsee merchant stood in the doorway about arm's length from me. The servants stood about in groups, the largest group being between the door and the conjuror. As soon as he had settled himself he turned to the Parsee and asked for, the loan of a rupee. The pedlar at first demurred a little, but, on being guaranteed against loss, he produced the coin. He was going to put it into the conjuror's hand, but the latter refused and told the Parsee to hand it to Mr. Smyth's bearer. The bearer took it, and, at the request of the conjuror, looked at it and declared it to be really a rupee. The conjuror then told him to hand it to his master. Mr. Smyth took it, and then followed this dialogue: -Conjuror: Are you sure that is a rupee?-Smyth: Yes.-Conjuror: Close your hand on it and hold it tight. Now think of some country in Europe, but do not tell me your thought (then the conjuror ran over the names of several countries, such as France, Germany, Russia, Turkey, and America-for the native of India is under the impression that America is in Europe). After a moment's pause Mr. Smyth said he had thought of a country. "Then open your

hand" said the juggler, "see what you have got, and tell me if it is a coin of the country you thought of." It was a five-franc piece, and Mr. Smyth had thought of France. He was going to hand the coin to the conjuror, but the latter said "No, pass it to the other sahib." Mr. Smyth accordingly put the fivefranc piece into my hand; I looked closely at it, then shut my hand and thought of Russia. When I opened it I found, not a Russian but a Turkish silver piece about the size of the five franc, or of our own crown piece. This I handed to Mr. Smyth, and suggested that he should name America, which he did, and found a Mexican dollar in his hand. The coin, whatever it was, had never been in the conjuror's hand from the time the rupee was borrowed from the Parsee merchant. Mr. Smyth and his bearer had both of them closely examined the rupee, and Mr. Smyth and I turned over several times the five-franc piece, the Turkish coin, and the dollar; so the trick did not depend on a reversible coin. Indeed it could not, for the coin underwent three changes, as has been seen. I need only add, for the information of those readers who know not India, that a rupee is only about the size of a florin, and therefore about half the weight of a five franc piece.

The juggler performed several other tricks that day, but they were of a common-place kind and in no way comparable to the coin trick, which I have never seen rivalled by any other conjuror in India or Europe.

The following evening Mr. Smyth and I were to dine at the mess of the 28th Native Infantry. We told some of our friends in the regiment of the tricks our juggler had shown us; they asked us to invite the man to perform after dinner in the mess drawing room. He came

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accordingly, and began by showing some very common-place tricks. I wanted him to do the coin trick, but he made some excuse. should mention that one of the officers was himself an amateur conjuror, and Mr. Smyth introduced him and our juggler to each other as comrades in art magic. Possibly our juggler may have been afraid that the captain would detect his method; or perhaps he only felt nervous about repeating a trick which must have depended very much on mere guesswork. Be that as it may, he would not perform the coin trick at the mess. But he did another almost equally wonderful.

As before, he was seated on a white cloth, which this time I think was a table-cloth, borrowed from the mess sergeant. He asked some one present to produce a rupee, and to lay it down at the remote edge of the cloth. The cloth being three or four yards in length, the conjuror could not have touched the coin without being seen, and, in fact, did not touch it. He then asked for a signet ring. Several were offered him, and he chose out one which had a very large oval seal, projecting well beyond the gold hoop on both sides. This ring he tossed and tumbled several times in his hands, now throwing it into the air and catching it, then shaking it between his clasped hands, all the time mumbling halfarticulate words in some Hindostanee patois. Then setting the ring down on the cloth at about half-arm's length in front of him, he said, slowly and distinctly in good Hindostanee, "Ring, rise up and go to the rupee." The ring rose, with the seal uppermost, and resting on the hoop, slowly, with a kind of dancing or jerking motion, it passed over the cloth until it came to where the rupee lay on the remote edge; then it lay down on

the coin. The conjuror then said, Ring, lay hold of the rupee, and bring it to me." The projecting edge of the seal seemed to grapple the edge of the coin; the ring and the rupee rose into a kind of wrestling attitude, and, with the same dancing or jerking motion, the two returned to within reach of he juggler's hand.

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I have no theory of any kind to explain either of these tricks. should mention, however, that the juggler entirely disclaimed all supernatural power, and alleged that he performed his tricks by mere sleight of hand. It will be observed that he had no preparation of his surroundings, no machinery, and no confederate.

IN THE COLD.

What shall we do for her, our sister?
What can we do for her, you and I?
Oh, the sunshine hath somehow miss'd her;
And the balm of the dew hath left her dry.

Shelter from outside cold and danger

Strength she has none to seek and win;
At the door of our heart she stands a stranger,
Shall we not open and take her in?

Must we not care for her greatly, seeing
How it is given to her to hold

Down in the depths of her inmost being
Love that can never be shown or told?

Somehow she feels that loving is living,
So does her heart at its bonds nigh break;

Sorely she longs for the joy of giving;

None will stoop down unto her and take.

After the years of dull repression

That folded her up in their anguish deep,
Blown on by spring-winds that rouse and freshen,
Will she not think that she walks in sleep?

Opening her eyes she will see around her
Glory and beauty passing bright;
So shall she know that Love has found her,
Love that is surely one with Light.

And it shall be that, a little while hence,
This little sister we care for thus,
Loosing the bands of her veil of silence,

Will lift up her voice and will sing to us.

Sing with us, weep with us, laugh with us, render
Love what is Love's through all calms and stirs ;
Cling to our breast as a baby tender,

And, as a mother, clasp us to hers.

E. H. HICKEY.

THE AUTHOR'S WISH.
BY AN OLD CONTRIBUTOR.

In a small chamber, far up on the
stairway of an old city house,
lived an author.

He was young and ardent, living in his work and loving it, as the true artist only can. He was poor, for he was only climbing the ladder of fame-by no means was he at the top. Many a difficult step in that ill-inclined ladder had he to compass, putting forth all his strength for each several exertion. Between these efforts his soul sank exhausted, and life became a cold and arid prospect, filled only with weariness. But rest-even the rest of dejected exhaustion seemed to bring forth new life within him. From each pause he rose vigorous, and accomplished a fresh step in his career with such genuine force that for the moment men looked towards him and wondered. But it was only for the moment. Soon they turned and went their ways in pursuit of the manifold businesses of the earth; and the author was left alone in his upper chamber, without fame, sympathy, or love.

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had not yet sufficiently fixed the attention of men; he had not yet accomplished that great work which should bring to him the appreciation he longed for.

And so in the midst of the surging crowds of the city he passed on alone, unfriended, unsuccessful. And had he not passionately loved his art, and deemed himself not "damned because a writer," but infinitely

blessed therein, his endurance must have failed him, and he would have betaken himself to some simpler craft in order to supply his earthly needs.

But no thought of this entered his mind. The good and the beautiful which he saw around him so fascinated his soul that he incessantly endeavoured to accomplish its portraiture. He lived much alone, and seldom spoke to any living being. He visited crowded assemblies that he might study the faces of the people; and the most beautiful face which he saw invariably riveted his attention, and the memory of this outward beauty he would carry home to use as a clothing to his beautiful thought. And in this way he gave forth to the world writings so delicately pure, so tinged and glorified with the colour of his own sweet spirit, that men who read and realised their meanings felt as though the words of an angel had fallen into their soul. But yet the author was poor, miserable, and lonely.

This made him wonder, though he was incapable of complaint. "But," he said, "I must be lacking in knowledge. I understand my art, so men say. What is it that I need? Why can I not deeply stir them as I myself am stirred when these thoughts spring within me ?"

He sat alone in his room, and dwelled upon it; he walked through the streets, still endeavouring to discover his lack.

And as he moved down one of

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