Jewish Dimensions in Modern Visual Culture: Antisemitism, Assimilation, Affirmation

Front Cover
Rose-Carol Washton Long, Matthew Baigell, Milly Heyd
UPNE, 2010 - 338 pages
In modern western history, the cultural and social developments of modernism have long been associated with Jews. For conservative groups this has been a negative association: the perceived breakdown of traditional norms was blamed on Jewish influence in politics, society, and the arts. Throughout Europe, Jews were viewed as carriers of industrialized and cosmopolitan developments that threatened to undermine a cherished way of life.

This anthology speaks to this issue through the lens of modernist visual production including paintings, posters, sculpture, and architecture. Essays by scholars from the U.S. and Israel confront the contradictory impulses that modernism's interaction with Jewish culture provoked. Discussing how religion, class, race, and political alignments were used to provide attacks on modern art, the scholars also comment on visual responses to anti-semitism and the mainstream success of artists in the U.S. and Israel since World War II.
 

Contents

Tristan Tzara Shmuel Rosenstock
8
Critical Responses to Modernism and Judaism
17
Maquette for Légende de Saint Christophe 1920
35
German Antisemitism and the Historiography of Modern
51
The Ecole Française versus the Ecole de Paris
77
Dadas Dark Secret
90
Ihr müsst sein auch wenn ihr nicht mehr seid
116
Coded Representations
143
George Grosz Otto Dix and the Philistines
167
Models of Freedom
220
Soviet Artists Jewish Images
245
Between Response and Responsiveness
273
of Europe 2005
291
Readymade Redux
303
Contributors
317
Copyright

63
161

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