Fictional Death and the Modernist EnterpriseCambridge University Press, 1995 M01 26 - 339 pages Cultures reveal themselves in how they react to death: how they ritualise it, tell its story, heal themselves. Before the modern period, death and dying seemed definitive, public, and appropriate. The industrial revolution, the Great War, and the radical reenvisioning of inner and outer reality after Marx, Darwin, Nietzsche, Einstein, van Gennep, and Freud, destabilized cultural norms and transformed the protocols of death and dying. In Fictional Death and the Modernist Enterprise Alan Friedman traces the semiotics of death and dying in twentieth-century fiction, history, and culture. He describes how modernist writers either, like Forster and Woolf, elided rituals of dying and death; or, rediscovering the body as Lawrence and Hemingway did, transformed Victorian 'aesthetic death' into modern 'dirty death'. And he goes on to show how, through postmodern fiction and AIDS narratives, death has once again become cultural currency. |
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Contents
Fictional death and the modernist enterprise | 5 |
The ars moriendi | 47 |
Dying in bed | 71 |
Artifices of mortality | 87 |
Funerals and stories | 117 |
Life after life | 141 |
Survivors of apocalypse | 165 |
E M Forster | 186 |
Virginia Woolf | 207 |
Lawrence Durrell | 250 |
history chaos and death | 266 |
Notes | 283 |
305 | |
329 | |
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