Outline History of English and American Literature: For Use in Colleges and SchoolsAmerican Book Company, 1900 - 552 pages |
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Page 9
... ballads . This necessitates the use of the metrical or rhythmical form , and accounts for the fact that poetic literature is older than prose literature , since meter and rhythm are very great aids to the memory . When letters were ...
... ballads . This necessitates the use of the metrical or rhythmical form , and accounts for the fact that poetic literature is older than prose literature , since meter and rhythm are very great aids to the memory . When letters were ...
Page 27
... throughout the Anglo - Saxon period ? Name the chief characteristic of Old English poetry , as to tech- nique ; as to subject matter . Do popular ballads , war songs , and legends , THE ANGLO - SAXON PERIOD ( 449 TO 1066 ) 27.
... throughout the Anglo - Saxon period ? Name the chief characteristic of Old English poetry , as to tech- nique ; as to subject matter . Do popular ballads , war songs , and legends , THE ANGLO - SAXON PERIOD ( 449 TO 1066 ) 27.
Page 28
For Use in Colleges and Schools Charles Frederick Johnson. Do popular ballads , war songs , and legends , passed from mouth to mouth among the people and preserved chiefly in the memories of gleemen and minstrels , constitute a ...
For Use in Colleges and Schools Charles Frederick Johnson. Do popular ballads , war songs , and legends , passed from mouth to mouth among the people and preserved chiefly in the memories of gleemen and minstrels , constitute a ...
Page 41
... ballads . The language and the nation were forming . Normandy was lost , and England became the native coun- try of the descendants of the Norman knights . In 1362 , Edward III . being king , French and Latin gave place to English in ...
... ballads . The language and the nation were forming . Normandy was lost , and England became the native coun- try of the descendants of the Norman knights . In 1362 , Edward III . being king , French and Latin gave place to English in ...
Page 68
... Ballads , or simple Ballads . narrative poems for recitation or singing , are anonymous , and are handed down in memory . Conse- quently , as the language changes , the diction of the ballad changes . In order to last , a ballad must be ...
... Ballads , or simple Ballads . narrative poems for recitation or singing , are anonymous , and are handed down in memory . Conse- quently , as the language changes , the diction of the ballad changes . In order to last , a ballad must be ...
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Common terms and phrases
admirable American Anglo-Saxon artistic ballad beauty became Ben Jonson Beowulf blank verse born Byron Cædmon called character Charles Charles Lamb Chaucer Church Coleridge College comedy death died drama early eighteenth century Elizabethan England English literature essays expression Faerie Queene father French friends genius hath heart Henry Henry VIII heroic couplet History Hudibras human humor imagination interest John John Milton JOHNSON'S LIT king language Latin Layamon letters literary living London Lord lyrical Milton mind modern nation nature never night novel period plays poems poet poetic poetry political Pope printed production prose published Puritan qualities Queen rhyme romance satire says sense Shakespeare Shelley Sir Bedivere society song sonnets soul Spenser spirit story style sweet Tamburlaine thee thou thought tion translated Trinity College true verse volume William Shakespeare Wordsworth writer written wrote young
Popular passages
Page 211 - CYRIAC, this three years' day, these eyes, though clear, To outward view, of blemish or of spot, Bereft of light, their seeing have forgot ; Nor to their idle orbs doth sight appear Of sun, or moon, or star, throughout the year, Or man, or woman.
Page 467 - midst falling dew, While glow the heavens with the last steps of day, Far, through their rosy depths, dost thou pursue Thy solitary way...
Page 339 - He has outsoared the shadow of our night; Envy and calumny and hate and pain, And that unrest which men miscall delight, Can touch him not and torture not again...
Page 168 - QUEEN and huntress, chaste and fair, Now the sun is laid to sleep, Seated in thy silver chair, State in wonted manner keep: Hesperus entreats thy light, Goddess excellently bright. Earth, let not thy envious shade Dare itself to interpose; Cynthia's shining orb was made Heaven to clear when day did close: Bless us then with wished sight, Goddess excellently bright.
Page 156 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Page 179 - The dew shall weep thy fall to-night ; For thou must die. Sweet Rose, whose hue, angry and brave, Bids the rash gazer wipe his eye, Thy root is ever in its grave, And thou must die. Sweet Spring, full of sweet days and roses, A box where sweets compacted lie, My music shows ye have your closes, And all must die.
Page 509 - But now his nose is thin, And it rests upon his chin Like a staff, And a crook is in his back, And a melancholy crack In his laugh. I know it is a sin For me to sit and grin At him here ; But the old three-cornered hat, And the breeches, and all that, Are so queer...
Page 339 - Peace, peace ! he is not dead, he doth not sleep — He hath awakened from the dream of life — 'Tis we, who, lost in stormy visions, keep With phantoms an unprofitable strife, And in mad trance strike with our spirit's knife Invulnerable nothings.
Page 213 - Thus with the year Seasons return ; but not to me returns Day, or the sweet approach of even or morn, , Or sight of vernal bloom, or summer's rose, Or flocks, or herds, or human face divine...
Page 508 - Fifty-five! This morning the parson takes a drive. Now, small boys, get out of the way! Here comes the wonderful one-hoss shay, Drawn by a rat-tailed, ewe-necked bay. "Huddup!" said the parson. Off went they. The parson was working his Sunday's text, Had got to fifthly, and stopped perplexed At what the -Moses - was coming next. All at once the horse stood still, Close by the meet'n'-house on the hill First a shiver, and then a thrill, Then something decidedly like a spill.