Art and Imagination: A Study in the Philosophy of MindSt. Augustine's Press, 1998 - 256 pages This book presents a theory of aesthetic judgment and appreciation in the spirit of modern empiricism. There are three parts: the first deals with questions of philosophical logic, the second with questions in the philosophy of mind, and the third with questions in the philosophy of art. Thus the argument advances from a theory of aesthetic judgment (and in particular of "aesthetic description"), to a theory of aesthetic appreciation, and thence to an account of the nature and value of art. |
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Page 82
... appreciation ( a view encouraged by standard empiricist theories of mind ) , and exists alongside the attempt to define appreciation as a self- subsistent realm of mental life , whose value , and whose place in human experience , can be ...
... appreciation ( a view encouraged by standard empiricist theories of mind ) , and exists alongside the attempt to define appreciation as a self- subsistent realm of mental life , whose value , and whose place in human experience , can be ...
Page 152
... appreciation of faces , gestures , characters , examples of things that can be loved or admired . The term ' exquisite ' is taught in the con- text of the aesthetic appreciation of a refined and subtle exercise of skill or craftmanship ...
... appreciation of faces , gestures , characters , examples of things that can be loved or admired . The term ' exquisite ' is taught in the con- text of the aesthetic appreciation of a refined and subtle exercise of skill or craftmanship ...
Page 226
... appreciation is cognitive is at best misleading , and to call a work of art a symbol is to use the word ' symbol ... appreciation impossible to explain . As we shall see , symbolism in art is a matter of suggestion rather than refer ...
... appreciation is cognitive is at best misleading , and to call a work of art a symbol is to use the word ' symbol ... appreciation impossible to explain . As we shall see , symbolism in art is a matter of suggestion rather than refer ...
Contents
The Individuality of the Aesthetic Object | 15 |
Aesthetic Perception | 29 |
Recognition and Response | 71 |
Copyright | |
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Common terms and phrases
aesthetic appreciation aesthetic attitude aesthetic description aesthetic experience aesthetic features aesthetic interest aesthetic judgement aesthetic object aesthetic perception analogy analysis answer apply argue argument aspect asserted ation attempt beautiful behaviour belief Chapter cognitive concept criteria criterion describe desire distinction duck emotion empiricist example explain expression fact feeling G. E. M. Anscombe give Goodman H. P. Grice hearing hence HP sauce I. A. Richards idea identity imagery imagination independent intention intentional object intentionality involves kind knowledge language logical look meaning melody mental mind moral judgement nature normal notion object of aesthetic P. T. Geach painting particular philosophers philosophy of mind picture poem possible predicate properties proposition question R. M. Hare reason reference relation representation response seems semantic theory sense sentences similar simply someone suggest suppose symbol taste theory of aesthetic thing thought truth conditions unasserted understanding visual Wittgenstein words