Art and Imagination: A Study in the Philosophy of MindSt. Augustine's Press, 1998 - 256 pages This book presents a theory of aesthetic judgment and appreciation in the spirit of modern empiricism. There are three parts: the first deals with questions of philosophical logic, the second with questions in the philosophy of mind, and the third with questions in the philosophy of art. Thus the argument advances from a theory of aesthetic judgment (and in particular of "aesthetic description"), to a theory of aesthetic appreciation, and thence to an account of the nature and value of art. |
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Page 8
... gives a reason for describing him as intelligent : this is part of what we mean by intelligence so that , were this fact or feature to cease to give a reason for the judgement , the concept of intelligence would thereby have changed ...
... gives a reason for describing him as intelligent : this is part of what we mean by intelligence so that , were this fact or feature to cease to give a reason for the judgement , the concept of intelligence would thereby have changed ...
Page 60
... give a theory entailing some generalizable schema of the form ( A ) : s means that p , where ' s ' is a structural description of a sentence and ' p ' is another sentence which ' gives the meaning ' of the sentence ' s ' . Now Davidson ...
... give a theory entailing some generalizable schema of the form ( A ) : s means that p , where ' s ' is a structural description of a sentence and ' p ' is another sentence which ' gives the meaning ' of the sentence ' s ' . Now Davidson ...
Page 232
... give a critical account of the process of fusion . By this I mean that one can name those features of a poem in virtue of which it comes to be expressive of a certain state of mind . But the critical survey of thought , diction and ...
... give a critical account of the process of fusion . By this I mean that one can name those features of a poem in virtue of which it comes to be expressive of a certain state of mind . But the critical survey of thought , diction and ...
Contents
The Individuality of the Aesthetic Object | 15 |
Aesthetic Perception | 29 |
Recognition and Response | 71 |
Copyright | |
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aesthetic appreciation aesthetic attitude aesthetic description aesthetic experience aesthetic features aesthetic interest aesthetic judgement aesthetic object aesthetic perception analogy analysis answer apply argue argument aspect asserted ation attempt beautiful behaviour belief Chapter cognitive concept criteria criterion describe desire distinction duck emotion empiricist example explain expression fact feeling G. E. M. Anscombe give Goodman H. P. Grice hearing hence HP sauce I. A. Richards idea identity imagery imagination independent intention intentional object intentionality involves kind knowledge language logical look meaning melody mental mind moral judgement nature normal notion object of aesthetic P. T. Geach painting particular philosophers philosophy of mind picture poem possible predicate properties proposition question R. M. Hare reason reference relation representation response seems semantic theory sense sentences similar simply someone suggest suppose symbol taste theory of aesthetic thing thought truth conditions unasserted understanding visual Wittgenstein words