Art and Imagination: A Study in the Philosophy of MindSt. Augustine's Press, 1998 - 256 pages This book presents a theory of aesthetic judgment and appreciation in the spirit of modern empiricism. There are three parts: the first deals with questions of philosophical logic, the second with questions in the philosophy of mind, and the third with questions in the philosophy of art. Thus the argument advances from a theory of aesthetic judgment (and in particular of "aesthetic description"), to a theory of aesthetic appreciation, and thence to an account of the nature and value of art. |
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Page 45
... independent of the old use or merely an extension of it . But the distinction can be drawn sufficiently clearly for our pur- pose once we turn to the connection between meaning and under- standing . Take the example of ' fair ' . The ...
... independent of the old use or merely an extension of it . But the distinction can be drawn sufficiently clearly for our pur- pose once we turn to the connection between meaning and under- standing . Take the example of ' fair ' . The ...
Page 119
... independently of the visual experience . The quest for a total and independent specification of the thought involved in ' seeing as ' is as out of place as the request for a total and independent specification of the belief involved in ...
... independently of the visual experience . The quest for a total and independent specification of the thought involved in ' seeing as ' is as out of place as the request for a total and independent specification of the belief involved in ...
Page 176
... independently what the concept is according to which the picture is seen . Our possession of the concept ' man ' can ... independent access to the concept of a melody . All we know of melodies is derived from our capacity to have this ...
... independently what the concept is according to which the picture is seen . Our possession of the concept ' man ' can ... independent access to the concept of a melody . All we know of melodies is derived from our capacity to have this ...
Contents
The Individuality of the Aesthetic Object | 15 |
Aesthetic Perception | 29 |
Recognition and Response | 71 |
Copyright | |
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Common terms and phrases
aesthetic appreciation aesthetic attitude aesthetic description aesthetic experience aesthetic features aesthetic interest aesthetic judgement aesthetic object aesthetic perception analogy analysis answer apply argue argument aspect asserted ation attempt beautiful behaviour belief Chapter cognitive concept criteria criterion describe desire distinction duck emotion empiricist example explain expression fact feeling G. E. M. Anscombe give Goodman H. P. Grice hearing hence HP sauce I. A. Richards idea identity imagery imagination independent intention intentional object intentionality involves kind knowledge language logical look meaning melody mental mind moral judgement nature normal notion object of aesthetic P. T. Geach painting particular philosophers philosophy of mind picture poem possible predicate properties proposition question R. M. Hare reason reference relation representation response seems semantic theory sense sentences similar simply someone suggest suppose symbol taste theory of aesthetic thing thought truth conditions unasserted understanding visual Wittgenstein words