Art and Imagination: A Study in the Philosophy of MindSt. Augustine's Press, 1998 - 256 pages This book presents a theory of aesthetic judgment and appreciation in the spirit of modern empiricism. There are three parts: the first deals with questions of philosophical logic, the second with questions in the philosophy of mind, and the third with questions in the philosophy of art. Thus the argument advances from a theory of aesthetic judgment (and in particular of "aesthetic description"), to a theory of aesthetic appreciation, and thence to an account of the nature and value of art. |
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Page 74
... kind of response , we must also be referring to a kind of awareness that this response in- volves . In other words , if a response belongs to some kind K , then it must involve thoughts and judgements characteristic of K. It is a ...
... kind of response , we must also be referring to a kind of awareness that this response in- volves . In other words , if a response belongs to some kind K , then it must involve thoughts and judgements characteristic of K. It is a ...
Page 91
... kind of thought that is involved in the acceptance of at least some aes- thetic judgements - for example the judgement that a Schubert song is sad , or that a Gainsborough portrait is tender . And , in fact , we might wish to argue that ...
... kind of thought that is involved in the acceptance of at least some aes- thetic judgements - for example the judgement that a Schubert song is sad , or that a Gainsborough portrait is tender . And , in fact , we might wish to argue that ...
Page 105
... kind of imagining that essenti- ally involves the distinguishing characteristics of imagery . This is the kind of imagining involved in conjuring an experience , as when I undergo an experience in imagination , or imagine the sound ...
... kind of imagining that essenti- ally involves the distinguishing characteristics of imagery . This is the kind of imagining involved in conjuring an experience , as when I undergo an experience in imagination , or imagine the sound ...
Contents
The Individuality of the Aesthetic Object | 15 |
Aesthetic Perception | 29 |
Recognition and Response | 71 |
Copyright | |
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Common terms and phrases
aesthetic appreciation aesthetic attitude aesthetic description aesthetic experience aesthetic features aesthetic interest aesthetic judgement aesthetic object aesthetic perception analogy analysis answer apply argue argument aspect asserted ation attempt beautiful behaviour belief Chapter cognitive concept criteria criterion describe desire distinction duck emotion empiricist example explain expression fact feeling G. E. M. Anscombe give Goodman H. P. Grice hearing hence HP sauce I. A. Richards idea identity imagery imagination independent intention intentional object intentionality involves kind knowledge language logical look meaning melody mental mind moral judgement nature normal notion object of aesthetic P. T. Geach painting particular philosophers philosophy of mind picture poem possible predicate properties proposition question R. M. Hare reason reference relation representation response seems semantic theory sense sentences similar simply someone suggest suppose symbol taste theory of aesthetic thing thought truth conditions unasserted understanding visual Wittgenstein words