Art and Imagination: A Study in the Philosophy of MindSt. Augustine's Press, 1998 - 256 pages This book presents a theory of aesthetic judgment and appreciation in the spirit of modern empiricism. There are three parts: the first deals with questions of philosophical logic, the second with questions in the philosophy of mind, and the third with questions in the philosophy of art. Thus the argument advances from a theory of aesthetic judgment (and in particular of "aesthetic description"), to a theory of aesthetic appreciation, and thence to an account of the nature and value of art. |
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Page 55
... mental state , for which I have until now used the term ' expression ' , can be redescribed as the relation of a sentence to its acceptance condition . 15 And only if this mental state is a belief can acceptance conditions bring ...
... mental state , for which I have until now used the term ' expression ' , can be redescribed as the relation of a sentence to its acceptance condition . 15 And only if this mental state is a belief can acceptance conditions bring ...
Page 76
... mental state arises only through judgement or belief . To suggest that intentionality arises only in this way is to force the totality of mental states into too rigid a mould . While I must believe that the lion I see is harmful in ...
... mental state arises only through judgement or belief . To suggest that intentionality arises only in this way is to force the totality of mental states into too rigid a mould . While I must believe that the lion I see is harmful in ...
Page 88
... mental act analogous to the overt act of saying ' p ' unasserted , in the way that Geach has argued that judging that p is a mental act analogous to the overt act of asserting ' p ' . Now , believing and judging are different concepts ...
... mental act analogous to the overt act of saying ' p ' unasserted , in the way that Geach has argued that judging that p is a mental act analogous to the overt act of asserting ' p ' . Now , believing and judging are different concepts ...
Contents
The Individuality of the Aesthetic Object | 15 |
Aesthetic Perception | 29 |
Recognition and Response | 71 |
Copyright | |
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Common terms and phrases
aesthetic appreciation aesthetic attitude aesthetic description aesthetic experience aesthetic features aesthetic interest aesthetic judgement aesthetic object aesthetic perception analogy analysis answer apply argue argument aspect asserted ation attempt beautiful behaviour belief Chapter cognitive concept criteria criterion describe desire distinction duck emotion empiricist example explain expression fact feeling G. E. M. Anscombe give Goodman H. P. Grice hearing hence HP sauce I. A. Richards idea identity imagery imagination independent intention intentional object intentionality involves kind knowledge language logical look meaning melody mental mind moral judgement nature normal notion object of aesthetic P. T. Geach painting particular philosophers philosophy of mind picture poem possible predicate properties proposition question R. M. Hare reason reference relation representation response seems semantic theory sense sentences similar simply someone suggest suppose symbol taste theory of aesthetic thing thought truth conditions unasserted understanding visual Wittgenstein words